印学的主体人格与生命意蕴  

Subjective Personality and Life Implication of Seal-cutting Subject

作　　者：杨鹰[1] 

机构地区：[1]大连交通大学大学生素质教育中心,辽宁大连116028

出　　处：《辽宁师范大学学报（社会科学版）》2015年第2期258-262,共5页Journal of Liaoning Normal University(Social Science Edition)

摘　　要：印学是中国文化精神的重要表现形式,具有深厚的东方艺术特色,表现着传统的审美意识和文化思想,是中国人精神象征之一。其产生发展、理论体系与传统文化密切相关。从传统文化的视域对印学进行阐释、研究,深入挖掘印学思想的学理内涵、文化背景,解读印学以"文以载道""以文化人"的理想人格为终极目标,以"天人合一""气韵生动"的审美思想为生命意蕴,以"含蓄表意""情景交融"的尚意精神为艺术灵魂,彰显出印学丰富的审美意蕴和高远的人生追求,论述了印学兼具金石文化与意蕴深邃的人文内涵。紧密结合传统文化,发掘印学所蕴含的审美精神、思想根源、文化本源,同时,结合印学艺术的现代语境,探究印学在继承传统基础上,如何实现印学艺术的当代转型。Seal-cutting subject,as significant manifestation of Chinese culture spirit,represents the profound feature of Oriental Art.It is one of the spiritual symbols for Chinese.The emergence and development,theoretical system of seal engraving are inseparably related to traditional culture.By interpreting and researching on seal engraving from traditional culture aspect,this article explores the academic connotation and culture background of seal engraving ideology thoroughly.The paper also demonstrates that seal engraving,which regarded ideal personality with＂writings for conveying truth＂,＂educating people by the culture＂as ultimately aim,aesthetic ideal of＂the unity between heaven and human being＂and＂vividness and vitality＂as life implication,artistic conception spirit of ＂euphemistically expression＂,＂scene blend＂as art soul,not only performs aesthetic implication and lofty ideality,but also manifests humanities connotation of the culture in metal and stone as well as the elegant implication.Incorporating with traditional culture,aesthetic spirit,ideology origins and cultural sources of seal engraving are explored.Meanwhile,the paper also studies how seal engraving realizes contemporary transformation on the basis of tradition in modern context.

关 键 词：传统文化 艺术 印学 审美 意境 

分 类 号：J292.41[艺术—美术]