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作 者:王福和[1]
出 处:《浙江工业大学学报(社会科学版)》2015年第1期28-32,44,共6页Journal of Zhejiang University of Technology:Social Sciences
基 金:教育部人文社会科学研究规划基金项目(13YJA751047)
摘 要:在余华的文学道路上,卡夫卡的影响显而易见。不但使他摆脱了川端康成的"束缚",走出了川端康成的"阴影",还获得了艺术上的新生。然而,余华对卡夫卡的接受,并非自然科学意义上的"克隆",而是以一位中国作家的身份,脚踏中国文化的土壤,运用中国文化的审美心理去阅读,去借鉴卡夫卡及其作品的。无论他的创作中流淌着多少卡夫卡的血液,但其作品都是中国的,其笔下的每一段故事,每一个人物都属于这块黄土地。On the Yu Hua's literature road,Kafka's influence was obvious. It not only made him get rid of Kawabata Yasunari's shackles,and walked out of the shadow of Kawabata Yasunari,but also acquired a new birth of art. However,Yu Hua's acceptance of Kafka is not the clone of natural science,but to a Chinese writer,pedal Chinese culture soil,with Chinese culture aesthetic psychology to read,to learn from Kafka and his works. No matter how much his creation is flowing in the blood of Kafka,his works are Chinese,and every story and each character in his works all belong to the loess ground.
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