别裁伪体,漫钓槎头——“诗史”直陈传统的源流及辨体思辨  

作　　者：刘一轲 

机构地区：[1]北京师范大学文学院,北京100875

出　　处：《高教学刊》2015年第1期96-98,共3页Journal of Higher Education

摘　　要："诗史"作为中国传统文学尤其是诗歌发展长河中颇具渊源的观念,其发端正在于将叙事叙语入诗、以实现诗史互证、文备众体的集大成效果。其概念在古来的创作实践中由来已久,大抵滥觞于《诗三百》中的风雅美刺和《春秋》笔法的推见至隐,而经汉魏六朝诗家诸多诠释,内涵不断衍生;而诗史的理论最终定型化则非推杜甫而不可。然而源流和衍生的"诗史"之间,还有诸多复杂的诗学问题,本文拟对其中几点作一浅论。The Chinese ancient literary theory which is mostly based on ＂Theory of Poems＂consists of a concept called ＂Direct Statement＂.The tradition of this concept which is developed by one of the best poets ever, Dufu,has multi levels of connotation. Since ＂Direct Statement＂ was firstly put forward in 〈The Books Of Songs〉 and 〈The Spring And Autumn Annals〉, its gist is closely related to the respective traditions of both classic books. However, with the gradually development after The Pre Qin Period , ＂Direct Statement＂ tradition has crossed complex changing process. As to explore the connatation behind the general concept, we have to analyse different concepts in the context of Dufu＇s poem theory.

关 键 词：直陈 风雅传统 格体 以意逆志 

分 类 号：G613[文化科学—学前教育学]