“日常书写”的界定及其古今维度  

The Definition of “Daily Write” and Its Historical Dimension

作　　者：周珩帮[1] 

机构地区：[1]伊犁师范学院艺术学院,新疆伊宁835000

出　　处：《伊犁师范学院学报（社会科学版）》2015年第1期87-91,共5页Journal of Yili Normal University

基　　金：2012年教育部人文社会科学研究青年项目<汉魏隋唐书法在西域的传播与接受研究>(12YJC760125)

摘　　要："日常书写"是近年书学研究、书法实践领域常用术语,书写主体、内容与形式、功能、书写行为与过程,是常见表述的四个界定依据,优劣各异。尝试以"日常生活"的本体论为依据,将"日常书写"界定为:各种主体以日常状态历史地构建个体存在及书法历史文化的书写,认为"日常书写"是书法及其历史的前结构,书法及其历史,是"日常书写"经过史学叙事的产物。还以日常书写主体变迁为线索,对古代日常书写的特征和变化予以描述,进而从当代书法文化建构与主体生命体验两个层面,讨论"日常书写"的当下意义。The item of ＂Daily Write＂ is a botspot in Calligraphy study and practice recently, the angles of its definition, which are subject, content and form, function, behavior and process, which have advantage and disadvantage with each other. According to the ontological of ＂Daily life＂, this thesis attempts to define it as： the write that is each subject historical constructs individual being and Calligraphy culture by daily state, so ＂Daily Write＂ is a pre-structure for Calligraphy and its History, and Calligraphy and its History, is a result by historical narrative through ＂Daily Write＂. Furthermore, clued by the subject of Daily Write, the thesis describes the characters and process for ancient form, discusses its currently meaning through modern calligraphy culture construction and individual life experience.

关 键 词：日常书写 书法 书法史 本体论 

分 类 号：J292.1[艺术—美术]