成境为心——藏传佛教心性说与审美心理探索  

Mentality Domination Circumstance——From Tibetan Buddhism's Mind Nature Theory to Aesthetic Psychology

作　　者：徐璐[1] 

机构地区：[1]武汉大学哲学学院,湖北武汉430072

出　　处：《绵阳师范学院学报》2015年第3期29-33,共5页Journal of Mianyang Teachers＇ College

摘　　要：藏传佛教萨迦派密教命题"成境为心",不仅是一个佛教命题,也是一个与我国古典美学思想有亲密关系的命题。它源于唯识宗,本质上是一种人心内证的修持过程,旨在强调"境"的生成是由于"心",万物皆存于"心",除"心"之外再无实有外境,人应修一颗明空双运的心以达到生死涅槃的无别之见。探索一条从藏传佛教心性学说到审美心理理论的思想道路,既有其优势,也有其不可避免的缺陷。它反映了一种以主体为本源、夸大了主体作用、完全忽略了客体作用的审美心理。这种审美心理在美学理论研究中具有非常重要的地位。Mentality Domination Circumstance is not only the concept of Sakya of Tibetan Buddhism but also the concept of Chinese aesthetic psychology. It was born of Weishizong（Vijnanavada）. It is a training process of understanding people＇s own heart. Circumstance is dominated by mentality. If there is no mentality, there will be no circumstance. Humanbeing should have a bright and free heart and then get rid of prejudice of life and death. There are many values and shortcomings during exploring a way of thinking from Tibetan Buddhismg Mind Nature Theory to aesthetic psychology. It is an aesthetic psychology which lets the subject be its origin, overstates the effect of subject and ignores the effect. This kind of aesthetic psychology plays an important role in research of aes- thetic theory.

关 键 词：藏传佛教 心 境 成境为心 审美心理 

分 类 号：B83-05[哲学宗教—美学]