阿多诺对传统美学命题的否定性阐释  

Adorno's Negative Interpretation on the Traditional Aesthetic Propostion

作　　者：李弢[1] 

机构地区：[1]同济大学人文学院

出　　处：《南京社会科学》2015年第5期48-54,共7页Nanjing Journal of Social Sciences

摘　　要：通过研读阿多诺(Theodor W.Adorno)的《美学理论》文本,我们看到他对德国古典美学集大成者黑格尔关于"美"的著名定义进行了一种否定性的批判阐发,同时从美与丑的辩证法出发来重新考察传统美学的命题,这使我们意识到在美的艺术哲学史上自然美遭到过歪曲,顺此他提醒人们如何去正视自然、重新认识和发现自然美,最后,阿多诺也以某种方式回应了康德对艺术美的评说,即艺术美当是显得自然的。In Aesthetic Theory, Adorno made a kind of critical negative interpretation on Hegel＇ s definition of Beauty, and then rethought the traditional aesthetic propostion using the dialectic a- bout beauty and ugliness. While the perception of nature was deformed in the history of philosophy of fine art, he reminded us to re-recognize and rediscovery natural beauty. In that way he responded to Kant＇ s comment on artistic beauty, that was artistic beauty looked like natural.

关 键 词：美丑辩证法 自然美 艺术美 阿多诺 《美学理论》 

分 类 号：B83-0[哲学宗教—美学]