音乐与诗歌的互动:《啃噬心灵的牙齿》述评  

The Tooth that Nibbles at the Soul: Music and Poetry in Interaction

作　　者：杨革新[1] 

机构地区：[1]华中农业大学外国语学院

出　　处：《当代外国文学》2015年第2期153-157,共5页Contemporary Foreign Literature

基　　金：国家社科基金项目"美国伦理批评的历时发展及其演变研究"(项目编号:12CWW004)的阶段性成果;国家留学基金委公派访学项目(项目编号:201308420435)的支持

摘　　要：马歇尔·布朗的《啃噬心灵的牙齿》是一部有关音乐与诗歌关系的论文集。该书不仅对音乐作品作出了非常专业的的分析,还对几个世纪以来的文学文本与哲学文本作出了学术性的解读,并且把两者很好地结合在一起。布朗关注的是文学与音乐的互动而不是相互影响。虽然布朗有关音乐的专业分析会让读者望而生畏,但这并不影响读者去抓住该书贯穿始终的一条主线,即把音乐与诗歌看成是两种同类的艺术形式既有助于防止思维的僵化,又能有效地捕捉我们思想的动向,并为我们进一步探讨诗歌中的音乐与音乐中的诗歌提供了另一种语言。The 2010 book The Tooth that Nibbles at the ,Soul by Marshall Brown, a professor of comparative literature at University of Washington and an editor of Modern Language Quarterly, is a collection of ten essays that investigates a wide range of texts, both musical and literary, to tackle theoretical issues concerning art, fantasy, literary history, and lyric poetry, with particular attention to certain periods in the history of poetry and music. Brown＇s professional analysis of musical works coupled with his equally learned reading of centuries of literary and philosophical texts focuses on the interaction rather than reciprocal influence between the two art forms. The technical musical discussions may be daunting for uninitiated readers, yet his approach to music and poetry as sibling arts disrupts the boundary between disciplines and in consequence, provides the reader with an effective language to delve further into the music of poetry and the poetry of music.

关 键 词：《啃噬心灵的牙齿》 马歇尔·布朗 音乐 诗歌 

分 类 号：I052[文学—文学理论] J605[艺术—音乐]