“纸马”与中国古典戏剧中的土地和山神  

Zhima Woodcut and the Deities of Land and Mountain in Ancient Chinese Theatre

作　　者：姚小鸥[1] 卢翮[2] 

机构地区：[1]中国传媒大学文学院 [2]中国传媒大学艺术研究院

出　　处：《戏剧艺术》2015年第3期78-84,共7页Theatre Arts

摘　　要："纸马"是一种与宗教相关的民间版画,其上的土地神和山神,呈现出"土地为文,山神为武"的形象特点,反映出二者在文化意象上的关联和神职信仰上的异同。其造型则显系借鉴中国古典戏剧中的人物装扮。土地﹑山神的戏剧舞台形象,体现于装扮和脚色设置等方面,并在戏曲艺术的发展流布过程中,成为"人物模型",为民间版画所凭依。＂Zhima＂ is a type of folk woodcut related to religion. on Zhima are characterized by patterns representing ＂the deity the mountain is warlike＂. The two deities on the Zhima show connotations, and their differences as well as similarities in The deities of the land and the mountain of the land is scholarly and the deity of connections betw their religious rol een their own cultural es. The images of the deities have borrowed much from the costuming in ancient Chinese theatre. Having unique costumes and characterization, the deities of the land and the mountain are presented on stage as conventionalized ＂stereotypes＂ from which the folk woodcut has found artistic sources

关 键 词：纸马 土地神 山神 古典戏剧 穿关 

分 类 号：J80[艺术—戏剧戏曲]