论中国近代三十年“美术”概念的引入  

“Fine Arts”in the First Thirty Years of Last Century in China

作　　者：易晓浪[1] 

机构地区：[1]六盘水师范学院艺术系,贵州六盘水553001

出　　处：《六盘水师范学院学报》2015年第3期55-60,共6页Journal of Liupanshui Normal University

摘　　要：晚清时期,国门打开,留学热潮引发学术革命。20世纪初叶王国维将"美术"一词引入中国,并进行了美学式阐释,梁启超将"美术"的外延从"艺术"缩小至"美术",滕固将梁启超的概念引向史学研究,将美术史实整理成书,立体完善"美术"的概念和内涵。王国维、梁启超、腾固的美术研究串联了"美术"进入中国的最初三十年。他们完成了"美术"概念引入、概念阐释申发及合理性论证,从点到面,贯穿中西,促成中国美术史研究的变革。In the late Qing Dynasty, China opened her door, and the wave of going to study abroad lead to the academic revolution.Early in the twentieth century ,Wang Guowei introduced the word“art”into Chi-nese, and explianed it on theaesthetic interpretation.He made the“art”extension from“art”reduced to“art”. TENG Gu made the concept of Liang Qichao＆#39;s to history,therefore, art historical facts be collated into a book, three-dimensional perfect“concept and connotation of art”. Wang Guowei, Liang Qichao, Tang art re-search solid series“art”to enter the first thirty years in China. They completed the“art”to introduce the con-cept, the concept explanation and demonstration of rationality, from point to surface, through Chinese and Western art history, contributed to the study Chinese change.

关 键 词：美术 日本 王国维 梁启超 滕固 

分 类 号：J102.9[艺术—艺术理论]