超现实性艺术与时代隐喻——论夏目漱石《梦十夜》的梦境叙事  

On the Dream Narrative in Natsume Souseki's Yumejyuya

作　　者：陈雪[1] 

机构地区：[1]安徽大学外语学院,安徽合肥230601

出　　处：《外国文学》2015年第4期57-64,158,共8页Foreign Literature

基　　金：安徽省高校省级优秀青年人才基金重点项目"夏目漱石小说中的梦境叙事艺术研究"(2012SQRW015ZD);安徽大学博士科研启动经费资助项目"夏目漱石小说叙事研究"

摘　　要：夏目漱石的小说《梦十夜》内容晦涩费解,情节扑朔迷离。该文本利用梦无序的非理性原理组合情节要素,在时空与情节逻辑层面上形成超现实性叙事艺术。同时该作品显出梦境的视觉化叙事倾向,这正缘于梦的视觉性思维特质。梦本身包含隐喻思维特征,其隐喻意象具有不定性、多元性的鲜明特点。而文学的梦叙事受作者理性支配,在情节要素组合及视觉化描述方面附有理性要素,从而使其隐喻意象更为集中化、理性化。《梦十夜》的超现实性、非理性的叙述表象下隐含着对新旧文化认同差异的时代隐喻意象。The novel Yumejyuya by Natsume Souseki is obscure and complicated in plot.It is constituted by disordered dreams,thus composing a surrealistic narrative art in the aspects of space-time and plot.This novel also shows a tendency of visualized dream-narrating,which is rooted in the visual nature of dreamthinking.A dream itself contains the characteristics of metaphorical thinking,and metaphorical images in dreams are full of ambiguity and diversity.However,the dream narrative in literature is dominated by the writer's rationality,which attaches rational elements to the organization of plots and visualized depiction,making metaphorical images more centralized and rationalized.The surrealistic and irrational narrative of Yumejyuya connotes a metaphor of the era with differences between the identifications of the old and the new cultures.

关 键 词：夏目漱石 《梦十夜》 梦境叙事 超现实性 时代隐喻 

分 类 号：I313[文学—其他各国文学]