文学印象主义  

On Literary Impressionism

作　　者：孙晓青[1] 

机构地区：[1]河南大学外语学院,河南开封475001

出　　处：《外国文学》2015年第4期107-118,159,共12页Foreign Literature

基　　金：教育部人文社会科学研究规划基金项目"现象学视阈下的文学印象主义"(12YJA752021);河南省哲学社会科学规划项目"诗意栖居--文学印象主义美学研究"(2011FWX014)

摘　　要：文学印象主义的美学追求是谋求唤醒主观、感官印象,通过特定的主体意识过滤出某个时间和空间中的一个最初的核心客体。在现象学视阈下印象主义的"看"是本质直观,通过直观直接把握事物本质,其印象是与客观事实紧密关联的主观意向性,是整个具体的主客体关系本身。这种印象的表达是主体身心契合地在对象世界中对生命存在进行本真的体验,体现了主客体之间的意义与价值。印象主义的现代意义在于它启示我们在感性与理性、信仰与科学之间找到平衡和谐点。Literary impressionism has been a neglected term.Its aesthetic pursuit is to evoke a subjective and sensory impression to render a primitive and essential object,which appears as it actually appears at a particular point in space and time and is filtered through a particular subjective consciousness.In the perspective of phenomenology,the 'look' in literary impressionism is a kind of essential intuition,through which the essence is directly obtained.The impression is filled with subjective intentionality,which is closely related with objective facts.The impression is the relationship between subject and object.This kind of impression is the intuitional experience of the devoted subject within the object,which embodies the meaning and value between the subject and object.The contemporary implication of impressionism may inspire people to seek the balance between sense and reason,belief and science.

关 键 词：文学印象主义 印象主义 本质直观 意向性 价值 

分 类 号：I0[文学—文学理论]