中国水族马尾绣背扇服饰的色彩语义指向  

The Color Semantic Orientation of the Bei-Shan Dresses with Horsetail-Based Embroidery of China's Shui Nationality

作　　者：张超[1] 朱晓君[1] 

机构地区：[1]贵州大学艺术学院,贵州贵阳550003

出　　处：《深圳大学学报（人文社会科学版）》2015年第4期19-24,共6页Journal of Shenzhen University：Humanities & Social Sciences

基　　金：国家社科基金艺术学项目"贵州三都水族马尾绣艺术非物质文化遗产保护与开发研究"(11CG126);贵州省教育厅高校人文社会科学研究专项项目(09ZX013)

摘　　要：色彩利用人们赋予它的情感和意义,传达其形式之外的特殊指向。色彩语言以其独特的审美价值与文化价值在人类历史发展中有着重要的指向性特征。水族马尾绣背扇服饰不仅技艺精美,独树一帜,而且色彩绚丽,五彩斑斓,从其色彩语言的语义成因到民俗文化所映射的特殊指向性探析,中国水族马尾绣背扇服饰色彩语义包含:水族先民身份的象征、聪颖与智慧的象征、幸福与财富的象征、亲情与爱情的象征以及原始审美的心理需要。水族马尾绣背扇色彩语言已成为水族民族文化和民俗文化中表情达意的一种指向性的艺术表意语,在其特定的历史时期和生活环境中所起的特殊作用是其他艺术语言不可替代的。Endowed with rich emotional and figurative meaning, color has special connotative meaning. With unique aesthetic and cultural value, color language has important directive features in the development of human history. The Bei-Shan dresses with the horsetail-based embroidery are not only exquisite and unique in terms of technique, but also have gorgeous and splendid colors. Probing into the semantic cause of its color language and unique connotations reflected in the folk culture, the author of this paper concludes color of the Bei-Shan dresses symbolizes ancient Shui people＇s social status, intelligence, happiness, wealth, familial affection, love, and the psychological need of original aesthetics. With rich connotation, the color of the Bei-Shan dresses of the horsetail-based embroidery has become an artistic expression of feelings in the national and folk culture of Shui people. It plays a special role in specific historical periods and circumstances of life which is irreplaceable by any other artistic language.

关 键 词：水族 马尾绣 民间工艺 背扇 色彩 色彩语义 

分 类 号：J063[艺术—艺术理论]