从入声字的归派看《中原音韵》的基础方言  

On the Base Dialect of Zhongyuan Yinyun《中原音韵》from View of Tone Evolution of Characters with MC Rusheng Tone

作　　者：王临惠[1] 

机构地区：[1]天津师范大学音乐与影视学院

出　　处：《方言》2015年第3期221-231,共11页Dialect

摘　　要：文章从入声调的归派以及入声韵的文白异读和齐微韵在元杂剧中的押韵情况入手,讨论《中原音韵》的基础方言问题,认为《中原音韵》的基础方言不是一时一地的方言,而是一个杂糅的系统。This paperstudies the base dialect of Zhongyuan Yinyun 《中原音韵》 from the view of tone merging and division of the MC rusheng tone, the division of literary and colloquial pronunciations with MC rusheng finals and the rhymes of the MC finals Qi 齐 and Wei 微 in Zaju plays in Yuan dynasty. It claims that Zhongyuan Yinyun 《中原音韵》 is based not on a specific dialect of a certain area and in a certain time, but on a blending system.

关 键 词：《中原音韵》 入声字 基础方言 

分 类 号：H17[语言文字—汉语]