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作 者:刘浩[1]
机构地区:[1]南京信息工程大学语言文化学院,江苏南京210000
出 处:《江苏师范大学学报(哲学社会科学版)》2015年第4期54-59,共6页Journal of Jiangsu Normal University:Philosophy and Social Sciences Edition
基 金:中国博士后科学基金面上资助项目"晚晴民国小说话研究"(项目编号:2014M561679);江苏省博士后科研资助计划"民国民谣研究"(项目编号:1302047C)研究成果
摘 要:禅宗和老庄思想对金圣叹的文法论确有深刻的影响。金圣叹将禅宗、道家的一整套世界观和体悟方式灌注到了他的文章结构论中,形成了意、象、言三层结构。金圣叹关于文章三层结构的思想沟通了他的各种文法理论,使之形成了严密的理论系统。金圣叹的这种颇具禅、道意蕴的文章结构论与八股时文有诸多不同,体现了他个人的叙事理想。金圣叹论"文法"、"诗法"采用了"同一副手眼",其间可以相互阐发。研究禅、道知识学与金圣叹文章结构论的关系,既让我们认识到其理论内部的有机联系,又为中国叙事学的研究提供了一个鲜活的案例。The theory of Zen and Tao has a deep effect on Jin Sheng--tan's literary structure theory. Jin Sheng-tan integrated Zen and Tao's world view and thinking method into his literary theory. His theory is constructed with meaning, image and words. The three levels of theory were embodied in his various viewpoints, making them to be a complete system. Different from Eight-part essay writing, Jin Sheng-tan's theory is on behalf of his narrative ideal. Jin Sheng-tan adopted the same method in his research about the article and the poetry. The study on the relationship between Zen and Tao's theory of knowledge with Jin Sheng-tan's literary structure theory would make us have a better understanding of his theory. It would also provide a living example in the further study of Chinese narratology.
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