挣扎,成为呐喊之前的退却——《十三夜》阿关的女性自我与表现  

Struggle,the Retreat before Crying out——Aguan's Female Ego and Performance in The Thirteenth Night

作　　者：林艳[1] 李庆申[2] 

机构地区：[1]赣南师范学院外国语学院,江西赣州341000 [2]赣南师范学院成人教育学院,江西赣州341000

出　　处：《赣南师范学院学报》2015年第4期73-77,共5页Journal of Gannan Teachers' College(Social Science(2))

基　　金：江西省社会科学"十二五"规划项目(12WX22)

摘　　要：日本明治二十年代女性自我意识开始萌芽,但在父权、夫权双重枷锁的桎梏下,加之女性自身意识、素质的局限,明治二十年代女性的自我开始挣扎、期冀呐喊,仍然举步维艰,最终多表现为退缩。要迎来女性自我真正的自由与解放,就必须打破父权、夫权的压制,更重要的是自立自强地塑造自己。Japanese female ego began to germinate in Mei Ji 20 th. Women in Japan began to protest and cry for it. However,under the double shackles of the patriarchal and manus systems,together with the poor knowledge and ego,women had to yield to the system and retreat from the protests in most circumstances. To truly liberalize and free women,the suppression of women under the patriarchal and manus systems of the society should be broken out,and most importantly,women had to improve themselves and become strong and independent.

关 键 词：女性自我 父权 夫权 

分 类 号：I042[文学—文学理论]