“静物”有声?——论贾樟柯电影《三峡好人》的声音美学  

The “Still Life”Has Sounds: On the Sound Aesthetic in Jia Zhangke's Film Still Life

作　　者：朱洁[1] 都文伟 

机构地区：[1]南京师范大学文学院,江苏南京210097 [2]凡萨大学,美国纽约州波基普西市126004

出　　处：《南京师范大学文学院学报》2015年第3期111-116,共6页Journal of School of Chinese Language and Culture Nanjing Normal University

基　　金：2014年度教育部人文社会科学研究规划基金项目"国产中小成本现实题材电影的创作与传播"(项目批准号:14YJA760060)

摘　　要：贾樟柯电影《三峡好人》由轮船汽笛声、江水翻滚声、拆迁敲击声构成主导音响,暗示漂泊、流浪的主题;通过人物极其精简的台词、几近空白的沉默,完成极度克制的艺术表达;山西话、四川话、普通话的混杂,呈现了生活的原生态,成为私人话语权的符号;原创主题音乐以及作为场景音乐的流行歌曲,抒发人物情感,揭示主题思想。细腻精准的声音元素与内涵丰富的画面场景巧妙配置,成就了《三峡好人》。In the film Still Life directed by Jia Zhangke, water, the demolition of buildings, etc. , composes the main the sounds of the ship whistle, the running river audio of the film, suggesting the theme of roving and roaming. By using very short and brief dialogues, and the nearly blank silence, it completed the extremely controlled artistic expression. The mixing of different provincial dialects demonstrates the aboriginality of life, becoming the symbol of the right of private speech. The original music together with the pop music as the scene background expresses the figures＇ emotion and reveals the theme. The smart combination of subtle and accurate sounds and the picture of scenes with rich connotation have accomolished this film.

关 键 词：《三峡好人》 声音元素 音响 人声 音乐 

分 类 号：J905[艺术—电影电视艺术]