论《学徒的神仙》的叙事策略  

An Analysis on the Narrative Strategies of Kozou No Kamisama

作　　者：吴梦[1] 

机构地区：[1]顺德职业技术学院外语学院,广东佛山528333

出　　处：《沈阳工程学院学报（社会科学版）》2015年第3期364-367,419,共5页Journal of Shenyang Institute of Engineering:Social Science

摘　　要：《学徒的神仙》是志贺直哉代表性的短篇小说,该作品在叙事方面体现了作者别具匠心的策略。首先,采取全知叙述的方式,选择性地透视主要人物的内心,并自如地调节叙述者"内隐"与"外显"的状态。其次,叙事视点不固定,主要采取"无聚焦"的聚焦模式,有时切换至"不定式内聚焦"的模式。此外,运用蒙太奇的手法,对文本进行剪辑与加工。Kozou No Kamisama is the representative short story of Shiga Naoya. This novel shows ingenuity in narra-tive strategies. Firstly,omniscient narration is adopted. It has a selective perspective of main characters′inner. The state of narrator is adjusted between“explicit”and“inexplicit”freely too. Secondly,the narrative viewpoint is not fixed. In the text,non-focalization is mainly used,while sometimes changed to variable internal focalization. In addition to it,the technique of montage is used for processing and editing text.

关 键 词：《学徒的神仙》 叙事策略 全知叙述 叙事视点 蒙太奇 

分 类 号：I206.2[文学—中国文学]