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作 者:鲍俊晓[1]
出 处:《理论界》2015年第9期106-111,共6页Theory Horizon
基 金:国家社会科学基金一般项目(编号14BZX125);江苏高校哲学社会科学研究项目(编号:2013SJB750033)的研究成果
摘 要:萨特早期以想象为中心建构了他的现象学理论,然而到了《存在与虚无》以及后期的理论中,想象却不再是中心议题。想象理论是否已被他抛弃?实际上,萨特的理论转折具有深刻的时代背景。二战的残酷现实使得纯理论家投入残酷的现实斗争中去,而他的理论也不得不发生变化,这体现了萨特深刻的思考与进步。他的存在主义哲学以及文学介入理论和处境剧的理论都深深打上了时代的烙印。而通过对上述理论的分析,我们可以看到,想象理论不是消失了,而是作为美学方法论融入了他的存在主义哲学中,仍然在起着不可替代的作用。Though in the beginning Sartre Construct his phenomenological theory as the center of imagine, it isn ' t Center issue anymore in Being and Nothingness and the theory of the latter stage.Is imagination theory abandoned by him ? Actually, this Transition Have a profound historical background.The cruel reality of World War II made the pure theorist into the cruel reality struggle, and his theory had to change, which reflects Sartre' s profound thinking and progress, so his existentialism philosophy as well as the theory of the intervention of the literature and Situation drama the brand of the times deeply.Through analysis of the above theory, it is seen that theory of imagination is not disappeared, but as aesthetic methodology integrating into his existentialism philosophy, still plays an irreplaceable role.
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