论船山诗学的时空蕴藉及其审美效应  

On Time- space Implicitness and Aesthetic Effect Rooted in Chuan- shan's Poetics

作　　者：刘新敖[1,2] 

机构地区：[1]湖南城市学院文学院,湖南益阳410003 [2]湖南师范大学文学院,湖南长沙410008

出　　处：《湖南科技大学学报（社会科学版）》2015年第3期150-155,共6页Journal of Hunan University of Science and Technology(Social Science Edition)

基　　金：湖南省哲学社会科学基金项目(11YBB070)

摘　　要：船山诗学传承中国古代诗论的虚空精神,打破"景""情"关系的二元对立,以"情"的时间蕴藉和"景"的空间想象,转换实现了艺术境界的时空转换。并以"意"为方向,统领了诗之时空之境:它既是诗歌情景关系、时间蕴藉和空间形式的依据和方向,也是诗歌审美空间所体现出来的艺术韵味,既概括了诗之时空关系,亦对形式空间和审美意蕴的域限作出了相应规定。Chuan -shan＇s Poetics inherits the void of ancient China＇s poetics, and breaks the binary oppositions between scene and emotion. With the time implicitness of emotion as well as with the spatial visualization of scene, it realizes the time - space transformation of artistic realm. It takes the meaning as the direction, and guides the time - space realm of poem, which, on the one hand, shows not only the relation of poetry between scene and emotion, and the basis and the direction of time implicitness and spatial form, but also the artistic state embodied by aesthetic space of poetry. Meanwhile, it not only summarizes the relation between time and space of poetry, but also specifies the corresponding boundary of form and space, and aesthetic implications.

关 键 词：船山诗学 时空蕴藉 审美 景 意 

分 类 号：I22[文学—中国文学]