谢林及其艺术哲学的中国遭遇  

Schelling and His Artistic Philosophy in China

作　　者：陈海燕[1] 

机构地区：[1]合肥师范学院文学院,安徽合肥230601

出　　处：《井冈山大学学报（社会科学版）》2015年第5期95-102,共8页Journal of Jinggangshan University(Social Sciences)

基　　金：国家社科基金项目"谢林艺术哲学研究"(项目编号:12CZW011)

摘　　要：作为德国古典美学的重要代表,谢林的艺术哲学理应给中国现、当代美学一定的启发和影响。可是在中国近百年的美学史上,谢林的艺术哲学思想并没有得到足够的重视。谢林艺术哲学在中国遭受冷遇,原因比较复杂,一大可能性原因,就是与中国近百年的思想进程不相吻合。另外,谢林哲学美学思想在中国传播与接受的过程中,有被误读的成分。通过对谢林及其艺术哲学的中国遭遇的探讨,或许可以一窥中国百年现代化发展道路的特点,并对本土现代性建构起到一些启示作用。As an important representative of classical Germany aesthetics, Schelling＇s artistic philosophy ought have exerted certain inspiration and influences on modem and contemporary Chinese aesthetics. However, in the history of Chinese aesthetics of last century, Schelling＇s thoughts have not been adequately noted. Such a situation is a result of variety of reasons. One possible main reason is that his thought is not in line with Chinese thought evolution is last some one hundred years. In addition, his aesthetic thoughts may have been misread during their travel and reception in China. Through the fate of Schelling＇s thoughts in China, we may find certain features of Chinese modernization in last centuries and thus get some lights in constructing local modernity.

关 键 词：谢林 艺术哲学 中国遭遇 启蒙 理性 革命 浪漫 

分 类 号：B516.34[哲学宗教—外国哲学]