英伽登的现象学文学作品论——文学的艺术作品与审美经验  

On the theory of Ingarden's phenomenology literature——the artistic work and aesthetic experience of literary

作　　者：张玉能[1] 

机构地区：[1]华中师范大学文学院,湖北武汉430079

出　　处：《青岛科技大学学报（社会科学版）》2015年第3期14-19,共6页Journal of Qingdao University of Science and Technology(Social Sciences)

基　　金：教育部人文社会科学重点研究基地重大项目(05JJD750.11-44207)

摘　　要：英伽登是现象学美学的主要代表人物之一。他的现象学文学作品论,从现象学观点出发,对文学作品的存在方式和结构层次,体验作品的各种方式、作品的具体化、积极阅读和消极阅读、艺术作品与审美对象的区别、艺术价值与美学价值的区别等问题,进行了深入细致的分析,对德国文学思想的现代化产生了巨大的影响。Ingarden is one of the main representatives of phenomenological aesthetics. His theory of literal works of phenomenology, from the viewpoints of phenomenology, analyzes in detail the existing way and the layer of structure of literal works, various ways of experiencing works, the concrete of works, active reading and passive reading, the difference between artistic works and aesthetic object, the difference of artistic value and aesthetic value etc., which has produced great influence on modernization of German literal thoughts.

关 键 词：现象学 英伽登 文学作品论 

分 类 号：I0[文学—文学理论]