呼应与对话:埃利森与巴赫金之比较研究  

Call-and-Response and Dialogism: Ralph Ellison and Mikhail Bakhtin

作　　者：谭惠娟[1,2] 张静静[2] 

机构地区：[1]杭州电子科技大学外语学院 [2]浙江大学外国语言文化与国际交流学院

出　　处：《清华大学学报（哲学社会科学版）》2015年第5期141-149,198,共9页Journal of Tsinghua University(Philosophy and Social Sciences)

基　　金：国家社会科学基金重点项目"美国非裔文学批评史"(13AWW005);国家社会科学基金重大项目"<美国非裔文学史>翻译与研究"(13&ZD127)之阶段性成果

摘　　要：美国非裔作家拉尔夫·埃利森和俄罗斯文学批评家米哈伊尔·巴赫金都是被边缘化的思想家,他们的边缘身份成就了他们各自的文学批评思想。有着正规音乐教育背景的埃利森,成功地将美国黑人音乐中的呼应模式运用于文学创作中,赋予了黑人音乐更丰富的历史文化内涵;巴赫金则从陀思妥耶夫斯基的文学创作中,看到了将音乐理论运用于文学创作的巨大潜能,并确定了一种风靡于整个人文科学领域的对话主义。边缘化可能成为理论的温床;音乐可以成为文学和文化理论的催生剂;埃利森文学叙事中的呼应模式与巴赫金文学批评中的对话理论或内在对话过程既有相通之处,也有相异的一面,它们是不同文化背景下产生的人类思想交流方式和生存模式,具有重要的文学意义。对两者进行比较,可以深化埃利森的文学思想研究,凸显埃利森对美国文化研究的开拓性贡献。Ralph Ellison,an African American writer,and Mikhail Bakhtin,a Russian literary critic,are famous thinkers dwelling on the social peripheries,and their marginalized identity propagated their own literary intellectual. Ellison,with his professional training in music,successfully reframed into his literary narrative the calland-response in black music tradition,which embodied a rich sense of history and culture,while Bakhtin realized in Dostoyevsky's literary works the great potential of fashioning polyphony into his literary criticism and proposed dialogism highly influential in human science. The paper argues that rim land identity may breed original intellectual theory,with the fabric of the music as its catalyst. The present work aims at re-forming Ralph Ellison's intellectual portals,in order to bring out Ellison's pioneering contribution to American cultural studies and to expand,deepen,and enrich Ellison study in China with some new insights.

关 键 词：埃利森 巴赫金 呼应 对话 文化思想 

分 类 号：I106[文学—世界文学]