当代“意识流文学”与中国文学传统的关系  

The relationship between the contemporary stream-of-consciousness literatures and Chinese literature traditions

作　　者：周和军[1] 

机构地区：[1]天津外国语大学比较文学所,天津300204

出　　处：《重庆大学学报（社会科学版）》2015年第5期185-191,共7页Journal of Chongqing University(Social Science Edition)

基　　金：2013年度国家社会科学基金项目"中国古典文论在西方的英译与传播研究"(13CYY009)

摘　　要："意识流"的名称是舶来品,意识流技法在中国古已有之,且有着丰富的文学实践。文章初步梳理了当代意识流文学创作实践与中国文学传统的关系,认为后者影响了中国意识流文学的内容和形式,是中国意识流文学的内在依据和土壤根基。Although the name of ＂stream-of-consciousness＂ comes from the foreign land, the techniques of it have been long existed in Chinese traditional literature and have been fully used in literature practices. In this paper, after clearing the relationship between the creative practices of stream-of-consciousness and Chinese literature traditions, the author believes that Chinese literature traditions affect the content and performance of Chinese stream-of-consciousness literatures. It＇ s the inner basis and soil of Chinese stream-of-consciousness literatures.

关 键 词：意识流文学 中国文学传统 创作实践 

分 类 号：I206[文学—中国文学]