自由及“他者”实现——黑格尔音乐哲学观探究  

The realization of freedom and the Other: Study on Hegel's philosophy of music

作　　者：张璐倩[1,2] 

机构地区：[1]复旦大学哲学学院,上海200433 [2]华东理工大学人文科学研究院,上海200237

出　　处：《中南大学学报（社会科学版）》2015年第5期8-13,共6页Journal of Central South University：Social Sciences

基　　金：国家哲学社会科学基金青年项目"黑格尔音乐哲学研究"(11CZX071);教育部高校基本科研业务费培育基金"黑格尔音乐哲学的思想构建及其审美判断"(WO1122001)

摘　　要：黑格尔受启蒙思想影响遵循理性精神,基于辩证的方法展开艺术哲学思想的讨论。他将"自由"范畴用于确立古希腊的艺术理想范式,同时也将自由置于主体哲学的视域阐释艺术的本质,即艺术处在人的精神世界实现绝对自由境界的过程之中。作为自由他者的音乐特性及感性因素的自由原则,音乐艺术的自由表达与主体在自由中达成和解。他反对戏剧冲突的性格刻画及个性凸显超越理想的创作方式,对他那个时代之后艺术发展的特征及趋势提出批判性预见,他的艺术观念对理解与把握艺术本质及解决艺术存在的现代性问题同样具有效力。Inspired by the enlightenment thought which follows rational spirit, Hegel discussed the philosophy of art in the dialectical way. He used the scope of freedom as the foundation of ancient Greek ideal paradigm of art and also saw freedom as the nature of the interpretation of art through the vision of subject philosophy. That is, art lies in the process when human spirit achieves realm of absolute freedom. This essay discusses the free expression of music and art and the harmonization between subject and music in freedom, based on freedom principle which describes the musical characteristics and emotional elements of the free Other. He opposed the characterization through dramatic conflicts and the creation which highlighted personality over ideal, and also made critical foresight on the characteristics and trends of the artistic development after him. His artistic concept exerted effective functions on understanding the nature of art and solving the modernity problem of the existence of art.

关 键 词：黑格尔 自由 他者 音乐艺术 主体性 

分 类 号：B516.35[哲学宗教—外国哲学]