超越双重樊篱的黑人美学探析——以《爵士乐》为例  

Discussion on Black Aesthetics That Surmount Double Barriers——A Case Study of Jazz

作　　者：戴新蕾[1] 

机构地区：[1]常熟理工学院外国语学院,江苏常熟215500

出　　处：《钦州学院学报》2015年第10期37-41,共5页Journal of Qinzhou University

摘　　要：作为第一位获得诺贝尔文学奖的女性非裔美国作家,托尼·莫里森的杰出文学成就在美国非裔文学史上史无前例。其作品《爵士乐》乃彰显莫式黑人美学思想之典范,无论是小说故事、主旨还是书面口头并重的语言技巧,都体现了作品中同非洲祖先不可割裂的各种情愫,同时也与溯源于欧洲文明的美国现代文明有着千丝万缕的牵连。此种文化间的博弈和互融的文学探索为解决美国黑人文化困境、建立正确自我认知乃至国家的和谐安定都将有所裨益。Toni Morrison,the first African-American woman writer who won the Nobel Prize for Literature,made unprecedented achievements in the history of American-African literature. Jazz is a typical example to present black people’s aesthetics as story,theme and the language techniques that focus on both oral and written words in the novel show inseparable emotions with their African ancestors while also demonstrate countless ties with modern American civilization which rooted from Europe. Competitions between different cultures and integrated literary exploration are conducive to solve American blacks’ cultural dilemma,to build up self-recognition and even to ensure national harmony and peace.

关 键 词：黑人美学 文化冲突 文化融合 书面语 口头表达 

分 类 号：I106.4[文学—世界文学]