论子弟书对唐代寓言的接受与重构——以《黔之驴》为例  

The Acceptance and Reconstruction of the Theory of Zidishu for Allegory in the Tang Dynasty: Taking The Ass of Qian as an Example

作　　者：陈洪[1] 杨恂骅 

机构地区：[1]江苏师范大学文学院,江苏徐州221116 [2]中国社会科学院研究生院,北京102400

出　　处：《贵州大学学报（社会科学版）》2015年第6期143-146,共4页Journal of Guizhou University(Social Sciences)

摘　　要：《黔之驴》是柳宗元含蕴深刻的寓言,"子弟书"是零琼碎玉式的北方民间曲艺。子弟书作者不但擅长化长为短,而且也常常将短小精悍的寓言转化为成本大套的剧本。子弟书在接受《黔之驴》基本情节、秉承真实寓意的基础上,融入玄奇元素,增强紧张气氛,注重心理和行为的细化,赋予了唐代寓言别样的生命。The Ass of Qian is composed of encompassed deep fables by Liu Zongyuan. The book of Zidishu presents pieces of northern folk art. The author of the book is not only good at turning long scripts into short ones, but also developing dapper fable into large set of play. Taking in the basic plot of The Ass of Qian and ad-hering to the real implication of the fable, the writer of Zidishu has put in mysterious elements, enhanced the tension atmosphere, paid attention to the refinement of psychology and behavior description, and given the fable in the Tang Dynasty another touch of life.

关 键 词：子弟书 黔之驴 接受 重构 

分 类 号：I239.2[文学—中国文学]