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机构地区:[1]南开大学文学院
出 处:《南开学报(哲学社会科学版)》2015年第6期74-83,共10页Nankai Journal:Philosophy,Literature and Social Science Edition
摘 要:淮海词具有突出的发问色彩,反映在敲问、反问、陈述三种句式中,流露出伤逝、孤独、迷失等情感内涵,体现了作者关于生命价值、生存处境、终极归宿的诗意求索以及对人生悲剧的惶惑无奈。以淮海词为注脚,配合相关理论,可推测出词心具有哀怨无端的追问意味,其发问以悲情为底蕴,又呈现出轻盈幽缈的精神特质,切合词体之声情本色。推而广之,作家对句式的选择运用作为一种潜意识流露,或可为读者洞察其情感心性展开新的思维面向。Huaihai's ci is strongly characterized by the questions he uses. The interrogations, rhetorical questions and statements in Huaihai's ci reveal the author's sense of solitude, loss, and disorientation. They also show the author's poetic exploration into the value of life, into human's living conditions, and into human's ultimate destination. What is more, they are also the embodiments of Huaihai's bafflement in front of life's tragedy. By taking Huaihai's ci as footnote and resorting to the help of related theories, we can come to the lamenting and questioning nature of ci. The questions in ci always have a lamenting undertone, but they are also lithe and elusive, matching exactly the tone of ci. Meanwhile, since a certain author's choice of sentence structures can be a manifestation of his unconscious mind, the analysis of sentence structures can be a new way for readers to get access to the author's psychology.
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