刘熙载《赋概》与《毛诗序》之关系研究  

A Study on the relationship of Liu Xizai's Fu Gai and Mao Shi Xu

作　　者：元文广[1,2] 

机构地区：[1]西北大学文学院,陕西西安710127 [2]西安航空学院人文学院,陕西西安710077

出　　处：《西安建筑科技大学学报（社会科学版）》2015年第6期72-75,共4页Journal of Xi'an University of Architecture & Technology(Social Science Edition)

摘　　要：刘熙载《赋论》是赋论著作中比较重要的一部,对赋这一文体进行了全面的总结,并提出了不少有价值的意见。但从整体来看,其受《毛诗序》的影响比较明显,具体而言,主要体现在:第一,继承了《毛诗序》诗言志的理论,提出赋言情志;第二,吸收了《毛诗序》赋比兴的艺术手法,主张赋以比兴为主;第三、批判了《毛诗序》以来的风雅正变之说,提出以真伪论赋的新原则。As one of the important writing of Fu theory, Liu Xizai＇s Fu Gai summarizes completely Fu style and made valuable comments. Greatly influenced by Mao Shi Xu（the preface of Mao Poetry）, it inherits the theory of Mao Shi Xu that the poetry expresses one＇s will and proposes the expression of emotion in poetry. On account of assimilating Fu, Bi, Xing, the artistic technique of Mao Shi Xu, it advocates taking Bi and Xing as the principles in Fu. Commenting on the positive change of Feng and Ya, it sets up new principles to judge the authenticity of Fu.

关 键 词：刘熙载 《艺概》 《赋概》 赋论 《毛诗序》 赋 比兴 真伪 

分 类 号：I207[文学—中国文学]