德国古典美学的逻辑进程——兼论席勒《论美书简》的美学史意义  

The Logical Progress of German Idealist Aesthetics: With a Discussion on the Aesthetic Historical Significance of Schiller's On Beauty

作　　者：李伟[1] 

机构地区：[1]安徽师范大学文学院

出　　处：《文艺理论研究》2015年第6期149-161,共13页Theoretical Studies in Literature and Art

基　　金：教育部人文社科青年项目"确然性的寻求及其效应:十八世纪西欧知识界思想气候与康德哲学及美学之研究"[项目编号:13YJC751022]的阶段性成果

摘　　要：德国古典美学由康德至黑格尔的发展历程,实质是在近代西欧"思想气候"即"确然性寻求"的知识观背景下,从审美心理结构的哲学分析进展到审美对象的哲学思辨、从批判美学进展到艺术哲学的演进历程。席勒1793年的《论美书简》通过穷举"美的研究法"而贯通了这一进程,成为德国古典美学历史进程的关键和中介,其"美学史意义"就此得以彰显。The trajectory of German Idealist aesthetics form Kant to Hegel revolves around the developmental process from philosophical analysis of psycho-aesthetic structure to dialectic examination of aesthetic object down to critical aesthetics and philosophy of art,with a knowledge background of modern European intellectual climate or the pursuit of determinacy. Schiller＇s On Beauty（ Kallias,1793）,by exhausting the research methods of beauty,constituted an intermediary link in the advancement in German Idealist aesthetics and established its inerasable significance in the history of aesthetics.

关 键 词：德国古典美学 逻辑进程 席勒 《论美书简》 确然性寻求 

分 类 号：B83-09[哲学宗教—美学]