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作 者:童龙超[1]
出 处:《山西大学学报(哲学社会科学版)》2016年第1期47-51,共5页Journal of Shanxi University(Philosophy and Social Science Edition)
基 金:教育部人文社会科学研究青年基金项目"中国现代诗歌与音乐关系研究"(10YJC751082);重庆市文科重点研究基地项目"能歌的新诗--中国现代诗歌与音乐关系研究"(10SKB19);中央高校基本科研业务费专项资金资助项目"五四新诗与‘新音乐’歌曲"(SWU1309269)
摘 要:音乐性是什么?音乐性怎样成为诗歌的属性?这是探讨诗歌音乐性问题的一个崭新思路。音乐性作为音乐的属性,首先是指音乐的音乐性。从音乐的音乐性到语言的音乐性,到歌词的音乐性,再到诗歌的音乐性,音乐以音乐性的流转对诗歌产生影响,音乐性这样成为诗歌的一种属性。同时,诗歌不与音乐直接结合,通过开发语言音乐性的潜能,以朗读格律建构朗读的音乐性也是形成诗歌音乐性的途径之一。诗歌音乐性的形成,包含对歌唱格律所体现的歌唱音乐性的继承和对朗读格律所体现的朗读音乐性的新变两个方面,而以前者优先。从诗乐关系对诗歌音乐性的探讨对当前新诗音乐性的重建具有启发意义。What is the musicality? How can musicality become the attribute of poetry? This is a new way to understand poetic musicality. Being the attribute of music,musicality refers to the musicality of music. From the musicality of music to that of language lyrics,and further to that of poetry,music with flow of musicality influences poetry,and in this way musicality becomes an attribute of poetry. At the same time,since poetry is not directly combined with music,developing the potential of musical language and constructing reading musicality through reading meter is another way to bring about poetic musicality. In short,The formation of poetic musicality involves the inheritance of singing musicality through singing rules and the reengineering of reading musicality through reading rules,with the former prioritized. To explore musicality of poetry from the relationship between poetry and music is of enlightening significance to the reconstruction of the musicality of new poetry.
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