论英国宪章派诗歌的文学性问题  

An Analysis on the Problem of the Chartist Poetry' s Literariness

作　　者：肖四新[1] 

机构地区：[1]广东外语外贸大学中国语言文化学院,广东广州510420

出　　处：《华南理工大学学报（社会科学版）》2015年第6期93-99,共7页Journal of South China University of Technology(Social Science Edition)

基　　金：教育部人文社会科学研究规划基金项目(12YJA752029);广东省哲学社会科学规划项目(GD11CWW05)

摘　　要：既有研究将英国宪章派诗歌看作服务于政治的工具,回避其文学性。事实上,它具有丰富的文学性。在属性上,它并不是宪章运动的附庸,而是具有自身发展逻辑与内在结构的文学运动。在内容上,它以内在于现代性的价值叙事参与了新世界的建构,体现出对人的自由本质的追求,具有重要的文学史价值。在艺术表现形式上,它以"在场感"的新文学样态,和以政治生活为审美对象与创作目的的新审美范式,在文学史上具有重要影响与划时代意义。文学性既指文本的文学性,也包括接受的文学性。对宪章派诗歌接受史的梳理与反思,也是文学性考察的重要组成部分。Chartist Poetry has long been regarded as a political tool and dodged about literariness by existing stud- ies. In fact, it is full of literariness. In nature, it is a literature movement with its own logic and inner structure rather than being a supplementary part of Chartism. In content, it helps to build the new world with a value-led narration of intrinsic modernity, presenting the pursuit for human＇s true nature--being free. Therefore, it is of significant value in the history of literature. In artistic manifestation, it takes a new literary form featuring the ＂on-the- site＂ realness. It observes a new aesthetic paradigm that sees the portrayal of political life as its object and goal, which plays an epochal and crucial role in the history of literature. Literariness includes not only the text and the reception. It is an important component of the analysis on literariness to summarize and reflect on the receptive history of Chartist Poetry.

关 键 词：宪章派诗歌 文学性 

分 类 号：I106.2[文学—世界文学]