汉唐古典舞创作语言研究  

Study on the Choreographic Language of Chinese Classical Dance of Hantang

作　　者：陈捷[1] 

机构地区：[1]深圳大学师范学院,深圳518000

出　　处：《北京舞蹈学院学报》2015年第6期96-100,共5页Journal of Beijing Dance Academy

基　　金：深圳大学人文社会科学青年教师扶持项目<汉唐古典舞之语言形态研究>(项目号:14QNFC06)课题研究成果

摘　　要：舞蹈创作的核心要素——舞蹈语言,是多种文化基因集合的复合形态,会受主客观因素的影响而持续演变。这种变是各文化基因的交互作用,是文化基因传播而发生偏离的结果。本文以汉唐古典舞语言的建构和演变为出发点,探讨汉唐古典舞创作中,语言以政治、社会、礼法、思潮、宗教、文学、艺术和舞蹈形象等多种文化基因为基础,进行语言建构的生成机制;并在时间、空间、社群等社会因素中,考量生成后的语言变化及其特征;最后,针对编导对汉唐舞语言生成机制中,方法论和语言形态两个层面不同程度的模仿,从形式相同而内容不同和内容相同而形式不同的角度,分析汉唐舞创作语言演变的具体方式。The key element of dance choreography,which is movement language,will constantly vary by the effect both in subjective and objective factors,as movement language itself would be the compound morphology as an assemblage of multiple memes.Such kind of variation is arisen by the interaction of each meme,as the result of the deviation when memes transmit. The paper starts with the discussion of generation and its variation in choreographic language of classical dance of Hantang. Since the language is built up by the generative mechanism of integrating the choreographic language,which is based on politics,society,moral standard,trend of thoughts,religions,literature,arts,dance image,etc. Furthermore,in the consideration of social factors like time,space and community,the paper discusses the variation features of generated choreographic language. In the end,there are two trends of imitation that put different emphasis on methodology and linguistic form. One is the form that would be same but differ from the content,and the other is the content that would be same but differs from the form. Therefore,the paper argues that choreographers face generative mechanism in the language of classical dance of Hantang,and analyses the concrete form in the variation of the choreography language in classical dance of Hantang.

关 键 词：汉唐古典舞 舞蹈创作 舞蹈语言 语言建构 语言演变 

分 类 号：J711[艺术—舞蹈]