20世纪中国戏曲史学的发展——从王国维到廖奔  

Development of Chinese Theatre Historiography in 20^(th) Century:From Wang Guowei to Liao Ben

作　　者：丁明拥[1] 周华斌[1] 

机构地区：[1]中国传媒大学艺术研究院,北京100024

出　　处：《艺术百家》2016年第1期210-216,共7页Hundred Schools In Arts

摘　　要：黑格尔"肯定、否定、否定之否定"的辩证法哲理,适用于一切事物。戏剧理论与戏剧史学科的否定之否定,意味着有所选择的继承与创新。在西方戏剧理论史中,20世纪上半叶斯坦尼斯拉夫斯基的戏剧理论,是对古希腊亚里斯多德戏剧理论的否定之否定;布莱希特的戏剧理论,是对斯坦尼戏剧理论的否定之否定。在建立自身理论的过程中,他们既经历了对前辈理论的吸收,又有否定之否定的提高,从而体现了近现代西方戏剧理论的发展。同样,中国戏曲史的研究,也经历了否定之否定的辨证发展过程。从案头到场上、到综合艺术论的全史研究,是周贻白对王国维的否定之否定,也是张庚、郭汉城对周贻白的否定之否定,由此成就了新时期廖奔、刘彦君《中国戏曲发展史》对古代戏曲史的阐论,进而有叶长海学术团队正在进行中的课题项目——"中华戏剧通史"。20世纪的中国戏剧戏曲史学科理论,正是在否定之否定的辨证研究中得以发展的。In the field of theatre theory and theatre history,negation of negation means inheriting selectively and innovating. In western theatre theoretical history,Stanislavski＇ theatre theory in the first half of 20 thcentury nis a negation of negation to Aristotle＇s theatre theory in ancient Greek. Bertolt Brecht＇s theatre theory is a negation of negation to that of Stanislavski. In the course of constructing their own theory,they take in something from predecessors＇ theory,and make some progress in negation of negation. It is the same with Chinese theatre history. Zhou Yibai is a negation of negation to Wang Guowei,and Zhang Geng and Guo Hancheng is a negation of negation to Zhou Yibai. Therefore,in such a course of negation of negation,we could see Chinese Theatre Development History written by Liao Ben and Liu Yan- jun,and Comprehensive Chinese Theatre History done by Ye Changhai academic group.

关 键 词：戏曲艺术 中国戏曲史 史学发展 否定之否定 艺术发展规律 

分 类 号：J80[艺术—戏剧戏曲]