论“元嘉体”诗歌的用韵特征  

On the Phonology Characteristics of the Poetry in Yuanjia Style

作　　者：白崇[1] 

机构地区：[1]广东技术师范学院,广东广州510665

出　　处：《广东开放大学学报》2016年第1期60-63,共4页JOURNAL OF GUANGDONG OPEN UNIVERSITY

基　　金：广东省哲学社会科学规划项目"六朝文学演进中的正变问题研究"(GD12XZW02)成果

摘　　要："元嘉体"诗歌以押平声韵为主,通韵规范基本定型,与唐诗声律运用大体吻合的现象非常明显。但在个别韵部的运用上,"元嘉体"用韵存在上古韵的遗留,通韵韵部的组合使用相对于唐律更为自由,整体上体现出新旧交融的状态。"元嘉体"的用韵是由古诗音韵向律诗过渡的中间环节,对诗歌韵律的发展具有承上启下的作用。Yuanjia style, basically using Yin rhyme and having the basic formations,apparently coincides with the phonology in Tang Dynasty in its application. But the application of some phonology in Yuanjia style still bear the pre-Tang phonology characteristics, butis freer in the common use of the similar phonology comparing withthe Tang Dynasty, integrating the old with the new. The phonology in Yuanjia style is, in fact, a connectionbetween the pre-Tang poetry and the metrical poetry, forming a link between the preceding and the following.

关 键 词：元嘉体 用韵 古韵 唐律 

分 类 号：I207.22[文学—中国文学]