女性诗歌叙述视角的演变与创作的式微  

The Evolution of Narrative Perspective of Female Poetry and the Decline of Creation

作　　者：何蕾[1] 

机构地区：[1]蚌埠学院文学与教育系,安徽蚌埠233030

出　　处：《中北大学学报（社会科学版）》2016年第1期96-101,105,共7页Journal of North University of China：Social Science Edition

基　　金：安徽省高校优秀青年人才基金重点项目:唐诗人生存困境与诗歌新变(2013SQRW070ZD)

摘　　要：在中国古典诗歌史上,女性题材的作品占有较大比重。随着叙述视角从最初的女性自述逐渐转向男性代言,女性题材诗歌的内容与艺术也随之发生变化。女性自述的诗歌作品情感真实、艺术风格朴素,而男性代言的诗歌多华丽绮靡之作。在主题上,两者之间也有较大差异,男性代言视角下的女性往往是柔弱无力的审美对象,而在女性自述的作品中,女性形象则丰满得多。女性题材诗歌作品叙述视角的变化是女性诗歌创作式微的伴生物,而女性诗歌创作式微的主要原因在于社会环境对女性的压抑与禁锢。The female theme poems account for a large proportion in the history of Chinese classical poetry. With the change of narrative perspective from woman herself to first-person narrative by man, the content and art of female theme poetry has changed too. The poems written by women themselves have sincere emotion and plain style, while those written by men have a gorgeous style. In terms of the subject matter, there are many differences between the two kinds of poetry. The female images under male perspective are delicate and feeble aesthetic objects, but in the works written by women, they are well-rounded. The change of narrative perspective in female theme poetry is the concomitant of the decline of female poetry writing, and the main reason which caused the decline was oppression and imprisonment of women by the social environment.

关 键 词：女性诗歌 叙述视角 式微 

分 类 号：I207.22[文学—中国文学]