“我城”与故乡的生死叙事——西西《我城》与萧红《呼兰河传》中的生存观对比分析  

The Narrative of Living Concept and Thanatopsis Reflected on My Town and Homeland——Contrastive Analysis of living concepts in My Town Written by Xi-xi and Tales of Hulan River Written by Hsiao Hung

作　　者：倪绮琪 陈南先[1] 

机构地区：[1]广东技术师范学院文学院,广州510665

出　　处：《嘉应学院学报》2015年第12期63-68,共6页Journal of Jiaying University

摘　　要：作为香港纯文学作家的代表,作家西西一度被大陆学者忽视乃至边缘化,直到2010年,西西的简体字版本作品才在大陆出版。然而在随之引起的"西西"热中,学者们多强调西西作品中的"文本实验",尤其关注她对儿童视角、拉美魔幻现实主义等叙述技巧的运用及"香港意识"的书写,却鲜有人将她与大陆作家进行内容上的"家园情结"或者"生存观""死亡观"的对比分析。在大陆作家中,萧红也是"童年""儿童视角"的拥护者。两位同样惯用儿童视角打量家园、同样与香港有着不解之缘的女作家,她们的代表作《我城》《呼兰河传》体现出的生存观却相去甚远。香港与大陆、城市与乡村,两代人之间既同也异的生存观,放在今日仍值得追问与深思。As a representative of the Hong Kong pure literature writer Xi- xi once was ignored and marginalized by mainland scholars. It was not until 2010 that her simplified Chinese versions of the works were published in mainland. In the following XI- xi keen,however,most scholars emphasized ＂text experiment＂in her work,especially paid attention to her children’s perspective,the use of narrative techniques such as Latin American magic realism and the writing of Hong Kong consciousness,few people compared her with writers in mainland on the content of＂home complex＂or ＂living concept＂or ＂thanatopsis＂. Hsiao Hung is one of the mainland writers who support＂childhood＂and＂children perspective＂. The two writers were accustomed to observing home from children’s perspective,and they also had the indissoluble bond with Hong Kong,but the concepts of survival in their representative works My Town,Tales of Hulan River reflect are quite different. Hong Kong and the mainland,cities and villages,the living concepts among the two generations share the similarities and also differences,but they still worth examining and reflections.

关 键 词：西西 萧红 城乡 生死观 儿童视角 

分 类 号：I206.6[文学—中国文学]