论柳宗元以道为本的美学思想  

On Liu Zongyuan's Aesthetic Ideology with Tao as Ontology

作　　者：马草[1] 

机构地区：[1]南开大学哲学院,天津300071

出　　处：《沈阳大学学报（社会科学版）》2016年第1期56-60,共5页Journal of Shenyang University:Social Science

摘　　要：从道为本体,道与审美,道与文的三个层面论述了柳宗元以道为本的美学思想及其相互间的关联,阐释了道在柳宗元的美学思想中处于本体性地位,为建构其美学思想体系的出发点,强调了柳宗元以道为本的美学思想在中唐文学发展史中的独特性和重要性。Liu Zongyuan＇s Tao based aesthetic ideology is discussed from the aspects of Tao as the noumenon,Tao and aesthetic,and Tao and literature;the relevance between them are analyzed.It expounded that,Tao is the fundamental factor of Liu Zongyuan＇s aesthetic ideology,which is starting point of the construction of his aesthetic ideology system.The peculiarity and importance of Liu Zongyuan＇s Tao based aesthetic ideology in the Mid-Tang literature development history are emphasized.

关 键 词：柳宗元 道 本体 审美 文道关系 

分 类 号：B83[哲学宗教—美学]