“灾害与文学”研究范式刍议  

Paradigms of Research on “Disaster and Literature”

作　　者：黄敏[1,2] 

机构地区：[1]阜阳师范学院文学院,安徽阜阳236091 [2]南京大学中国新文学研究中心,江苏南京210093

出　　处：《楚雄师范学院学报》2016年第1期35-38,共4页Journal of Chuxiong Normal University

基　　金：国家社会科学基金一般项目"自然灾害与当代文学书写研究";项目编号:12BZW117

摘　　要：新世纪以来的灾害文学创作热潮引发研究热点并逐渐形成一种新的文学研究范式:"灾害与文学"。这是一种将目光聚焦于自然灾害,也关注天灾与人祸的关系,强调文学反映功能的文学研究范式。但是作为一种新的文学研究范式,其自身存在诸如理论支持不足及研究中作品审美纬度缺失等问题,阻碍了范式的发展、完善,也不利于构建灾害文学理论研究体系。Since the new century literary boom of disasters triggered research focus and gradually formed a new literary research paradigm： ＂Disasters and literature＂. It is a paradigm that not only focus on natural disasters,but also concern about the relationship between natural disasters and human,and emphasize the reflecting functional of literature. But as a new literary researching paradigm,there some shortcomings of its own such as the lack of theory support and the missing of aesthetic dimension on the works research which hinder the development and improvement of paradigm,and are also unfavorable to build a system of disaster literature theory.

关 键 词：灾害与文学 文学理论 审美纬度缺失 研究范式 

分 类 号：I206.7[文学—中国文学]