汉语语境中的萨特美学  

Sartre's Aesthetics in the Chinese Context

作　　者：伏爱华[1] 

机构地区：[1]安徽大学哲学系,安徽合肥230039

出　　处：《安庆师范学院学报（社会科学版）》2016年第1期56-60,共5页Journal of Anqing Teachers College(Social Science Edition)

基　　金：安徽省哲学社会科学规划项目"艺术自律理论的演进逻辑及其反思"(AHSKQ2014D129)

摘　　要：在20世纪70—80年代的第二波西学东渐潮流中,法国存在主义哲学家萨特独树一帜,格外显眼,得到广泛传播和研究。在萨特美学与汉语思想进行深度对话的基础上,其美学思想的人学价值可以促使我们反思传统的本质论美学,并在存在论美学视域下参与到中国现当代美学的建构中。In the second spread of western learning to the east between the 70 s and 80 s in the 20 th century,Sartre,a French existentialist philosopher with distinctive theories,caught the attention of the world and was studied widely. Based on the deep dialogue between Sartre＇s aesthetics and Chinese theories,his aesthetics,the human value in particular,helped us to reflect on the traditional aesthetic essence and participated in the construction of the contemporary Chinese aesthetics from the aspect of existential aesthetics.

关 键 词：萨特 本质 存在 中国现当代美学 

分 类 号：B83-06[哲学宗教—美学]