跨文化视野里中国美学的学术自觉——从卜松山谈起  

The Academic Consciousness of Chinese Aesthetics Perspective In intercultural:Talking from Karl-Heinz Pohl

作　　者：刘毅青[1] 

机构地区：[1]绍兴文理学院人文学院,浙江绍兴312000

出　　处：《西北大学学报（哲学社会科学版）》2016年第2期47-53,共7页Journal of Northwest University：Philosophy and Social Sciences Edition

基　　金：国家社科基金(09CZW010);中国博士后特别资助(2013T60660)

摘　　要：从根本上说,当下学界对西方文论局限性的批判,对中西差异的凸显,最终消解的是西方文论的普遍性,这是当下中国学界学术自觉的体现,其根本要义在于深入学习西方理论的同时,明确自身的问题意识,面对中国经验。从德国汉学家卜松山的相关论点出发讨论中国美学的学术自觉,在中国美学的跨文化研究中卜松山发现中国学界自我意识的缺乏导致对西方学术的盲从。他认为:在全球化的语境,中国美学通过自身的理论建构发出自己的声音,为世界文化作出贡献。这就意味着中国学者不再盲从西方理论,而是通过对中国问题的解决建构自身的理论。Fundamentally,the critic to the limitation of western literary theory,highlighted the differences between Chinese and western literary theory. The final resolution is opposition the universality of western literary theory. This is the embodiment of academic consciousness to Chinese academics. The most basic thing is that in further study of western theories,their own problems should be solved when facing the Chinese experience.This paper discusses the academic consciousness of Chinese aesthetics from the viewpoint of Germany Sinologist Karl-Heinz Pohl,he found that Chinese aesthetics follow the western academic blindly because of the lack of academic self- consciousness. In his opinion,Chinese aesthetics should make great contribution to the world culture through constructing its own theory in the context of globalization. This means that Chinese scholars should no longer blindly follow the western theory,but to construct their own theory through the solution of the problem for China.

关 键 词：跨文化 中国美学 学术自觉 

分 类 号：B83[哲学宗教—美学]