蔡元培对艺术学理论研究的跨时空“思考”——基于《上海美术专科学校校歌》的探讨  

CAI Yuan-pei's Transcending “Thought” about Art Theory:on the Anthem of Shanghai Fine Arts School

作　　者：周钟[1] 

机构地区：[1]南京艺术学院音乐学院,江苏南京210013

出　　处：《贵州大学学报（艺术版）》2016年第1期50-54,共5页Journal of Guizhou University Art Edition

摘　　要：蔡元培先生作词的《上海美术专科学校校歌》微言大义,为八十多年后的中国艺术学理论研究提供了一个可能的纲要,即从"完全"生出"伟大",注重对中、西、印知识体系的全面了解与对自然的感受、体察;以"多维"构建"文化",彰显研究中的跨学科性与整体性;立"主体"发扬"中华",树立起中国艺术学理论研究的学术主体性。The lyric of Shanghai Fine Arts School Anthem written by Mr.Cai Yuan-pei contains deep connotations in subtle words.It provides a possible framework for the research of Chinese art theory 80 years later.Firstly,it indicates ＂greatness＂comes from ＂comprehensiveness＂as the school highly valued a comprehensive learning abut Chinese,Western and Indian knowledge systems and a complete experience and observation of nature.Secondly,it highlighted the interdisciplinary and holistic features in the research to construct a ＂multidimensional＂＂culture＂.Finally,it sets up the academic subjectivity of Chinese art theory by basing its ＂subject＂on ＂China＂.

关 键 词：蔡元培 上海美术专科学校校歌 艺术学理论 

分 类 号：J02[艺术—艺术理论]