皖南木雕的审美追求与工艺技法研究  

Research on Aesthetic Pursuit and Craftmanship of Wannan Wood Carving

作　　者：朱铁军[1] 黄凯[1] 

机构地区：[1]安徽工程大学艺术学院,安徽芜湖241000

出　　处：《湖北理工学院学报（人文社会科学版）》2016年第2期72-75,共4页Journal of Hubei Polytechnic University(Humanities And Social Sciences)

基　　金：国家社会科学基金艺术学项目"繁昌窑青白瓷传统工艺与图形文化创意设计研究";项目编号:13BG058;安徽省高校优秀青年人才支持计划重点项目;项目编号:gxyq ZD2016117;芜湖市科技计划项目软科学研究计划"基于芜湖繁昌窑青白瓷图形的文化创意产业发展研究";项目编号:2013rkx05

摘　　要：作为安徽省省级非物质文化遗产,皖南木雕有着深厚的历史、独特的工艺技法和艺术风格,然而长期以来隐于徽州木雕的锋芒之下,其未能得到较好的重视和开发利用。文章通过追寻皖南木雕的历史脉络,发掘皖南木雕的审美追求与价值取向,以重新审视和定位当代皖南木雕的艺术表现;通过系统展现皖南木雕的工艺流程、"手工平凿拉丝法"等手工制作绝活,记述其现代传承人,以便更好地保护、传承和发扬这一宣城地区特有的传统民间木雕技艺形式。Wannan Wood Carving is a provincial intangible cultural heritage of Anhui Province,which is famous for its long history,unique techniques and art style. However,it is overshadowed by Huizhou wood carving that it is not fully developed. Through searching for the development process of Wannan Wood Carving,excavating its aesthetic pursuit and value orientation,we would re- examine and orientate artistic expression of contemporary Wannan Wood Carving. Through displaying the producing procedure systematically and the special manual techniques including ＂ Chisel drawing＂ and recording its modern inheritor,we can protect and inherit and carry forward the unique traditional folk wood carving art forms of Xuancheng area.

关 键 词：皖南木雕 历史脉络 审美追求 工艺特色 传承 

分 类 号：J527[艺术—艺术设计]