西方艺术史的启蒙辩证法  

History of Western Art: Its Enlightenment Dialects

作　　者：贾媛媛[1,2] 

机构地区：[1]中央编译局博士后工作站,北京100036 [2]黑龙江大学哲学学院,哈尔滨150080

出　　处：《学术交流》2016年第4期55-59,共5页Academic Exchange

摘　　要：启蒙辩证法是20世纪西方思想家霍克海默和阿多诺对西方文化的思索和批判。他们认为,启蒙并没有实现其最初的愿望,即带给人类自由和理性,反而使人类堕入新的桎梏和野蛮中。作为西方文化一部分的西方艺术的发展在启蒙时代同样也展现了这种辩证法,启蒙既推动了艺术的发展,同时又使艺术陷入新的桎梏,艺术在启蒙中既实现了自身的价值,同时又存在着不可避免的危险,艺术史的这种矛盾引导我们具体而辩证地思考启蒙以来的现代性问题。Enlightenment dialect represented Horkhaimer＇ s and Adorno＇ s reflection and criticism on western, culture, the western thinkers in the 20th century. They held that enlightenment failed to realize their primary desire, i.e. bringing freedom and rationality, while it made mankind fall into new shackles or savage. Western art is a part of western culture, and its progress also shows such a dialect that enlightenment propels the devel- opment of art and traps art into new limitations. In the enlightenment, art fulfilled its own value, incurring un- avoidable dangers. Therefore, these contradictions lead us to think modernity of enlightenment dialectally.

关 键 词：启蒙辩证法 西方艺术史 世俗化 理性 自由 

分 类 号：B516.5[哲学宗教—外国哲学] J110.9[艺术—艺术理论]