加强中华美学精神与艺术实践的深度交融  

To Enforce the Profound Integration between Chinese Aesthetic Spirit and Art Practice

作　　者：金雅[1,2] 

机构地区：[1]浙江理工大学中国美学与艺术理论研究中心,浙江杭州310018 [2]浙江理工大学艺术与设计学院,浙江杭州310018

出　　处：《艺术百家》2016年第2期38-40,共3页Hundred Schools In Arts

基　　金：2013年度国家社会科学基金一般项目"人生论美学与中国学派"(项目编号:13BZW025)阶段性成果;2013年度浙江省高校重大人文攻关规划重点项目"中国现代人生论美学的民族资源与学理传统研究"(项目编号:2013GH013)阶段性成果之一

摘　　要：当前中国艺术实践的发展,迫切需要美学精神的引领,尤其是民族美学精神的深度融入。中华美学精神的突出特质是崇尚大美,追求真善美的统一,不仅把艺术,也把整个宇宙和人生纳入创美体美的视域。中华艺术的审美价值观,不尚小艺术,而尚大艺术,重视艺术主体的情趣境格,重视艺术受众的化育涵泳,在抵御当代艺术实践欲望化、低俗化、市场化、形式化等偏畸上,具有深刻的针对性和重要的引领意义。文艺工作者应自觉加强理论修养,在艺术实践中传承宏扬践行创新民族审美精神与方法思维。Contemporary Chinese art practice urgently demands the guiding of aesthetic spirit especially the profound integration of national aesthetic spirit. The prominent feature of Chinese aesthetic spirit is that it advocates magnificent beauty and pursues the unification among truth, virtue, and beauty, and it not only takes art but also the whole uni- verse and living in the visual threshold of creating beauty and experiencing beauty. The aesthetic values of Chinese art does not advocate small art but grand art, and it pays attention to the interest and taste of art subjects, and it stresses the cultivation of art audiences, and it has a profound guiding significance to defense the desire, vulgarization, mar- ketization, and formalization of contemporary art practice. Literary workers should consciously reinforce their theoreti- cal cultivation and try their best to inherit and innovate the national aesthetic spirit and thinking in art practice.

关 键 词：中华美学精神 中华优秀传统文化 艺术精神 艺术实践 深度交融 

分 类 号：J01[艺术—艺术理论]