物欲、情殇、与海上“异托邦”——郭敬明《小时代》的三种读法  

Desire or pain or heterotopias

作　　者：汪贻菡[1] 

机构地区：[1]南开大学文学院,天津300071

出　　处：《淮南师范学院学报》2016年第1期115-119,共5页Journal of Huainan Normal University

摘　　要：面对持续增长、拒绝被"拯救"的粉丝人数,以理性心态考察粉丝对郭敬明及其《小时代》的狂热成因是有必要的。引入粉丝文化与福柯"异托邦"理论,考察郭氏粉丝依托"小时代"这样的虚拟空间,建构起一个遵循情绪与情感逻辑、追求语言有趣和视觉审美的异质空间,并据此打造独属于青少年一代的成长密码,以对抗想象中的成人世界、拒绝成长。由此引发的反思是:我们究竟给予了他们怎样一个理想失落的世界,使得他们转而拥趸如此虚幻的文字与整体向下的价值观与审美观?It is necessary to take a more rational attitude to study why an continuously increasing number of fans, who deny being saved, but go crazy about Guo Jingming and his novel Tiny Times. The Fan Culture and the theory about heterotopias from Foucault would help in this article. His fans exchange their feelings with unique network language in this virtual text space, and try to rebuild a new free world different from the adult world. So the central issue is, what we have given them actually so that they prefer to stay in the illusory era and refuse to grow.

关 键 词：《小时代》 粉丝 异托邦 郭敬明 

分 类 号：I06[文学—文学理论]