中国传统音乐中的联曲体结构分析  

The Analysis of Joint Music Form Structure in Traditional Chinese Music

作　　者：赵冬梅[1,2] 

机构地区：[1]中国音乐学院作曲系 [2]中国音乐学院曲式与作品分析教研室

出　　处：《乐府新声（沈阳音乐学院学报）》2016年第1期63-75,共13页The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)

摘　　要：中国传统音乐的结构分析是传统音乐形态学和传统音乐旋律学研究的重要组成部分,本文节选李西安教授负责的国家社会科学基金艺术学项目《中国传统旋律学》的"曲式篇"。其中的联曲体结构分析章节由本人负责完成,此处受篇幅所限进行了大量的删减。联曲体是中国传统音乐的大型曲式结构之一。本文从音乐作品分析的角度将联曲体主要分为并列式、主插式和具有板腔因素的三种不同的结构类型,选取了一些具有代表性的实例进行分析说明,并将音乐的表现意义贯穿于对每一部作品的技术分析中,使读者在欣赏中国传统音乐的形式美时又能感悟到超越形式层面的中国传统音乐的真谛,品味中国传统音乐的美妙。The structure analysis of traditional Chinese music is an important part of the tradi- tional music morphology and music melodics. This paper is excerpted from the ＂ Form Chapter＂ of ＂Traditional Chinese Molodics＂, a National Social Science Fund Project headed by Professor Li Xi＇an. This author is reslaonsible for the structureanalysis of joint music form, which is one of the traditional Chinese large musical forms. From the viewpoint of music work analysis, the paper classifies the joint mu- sic form into three types： juxtaposing type, mainly inserted type and banqiang el-ement type. The paper analyzes sorffe representalve example＇s and expre＇sses＂ the musical significance in technique explanation so as to make readers understand the true meaning of traditional Chinese music and taste its wonderfulness in appreciat- ing the formal beauty.

关 键 词：联曲体 并列式 主插式 板腔 

分 类 号：J614.6[艺术—音乐]