艺术禅趣与形上本体  

The Artistic Taste of Chan and the Noumenon of Metaphysics

作　　者：舒志锋[1] 

机构地区：[1]中国人民大学哲学院,北京100872

出　　处：《海南师范大学学报（社会科学版）》2016年第3期90-93,共4页Journal of Hainan Normal University(Social Sciences)

摘　　要：艺术禅趣的空灵之境的形成,除了根植于中国传统的诗论之外,其最重要的理论支撑是佛学中的形上精神。此种形上精神的渗入对于中国古代思想史的发展是一个关键的节点。正因为此,中国古代思想的问题域由"道"向"理"进行了更换。文章对于艺术禅趣的考察同样置入了这样一个视域。文章同时认为,佛学的形上精神对意境理论的成熟提供了理论依据。The formation of intangibility in the artistic state of Zen is theoretically attributable to the metaphys- ical spirit in Buddhism apart from its rootedness in traditional Chinese poetics; while the infiltration of this meta- physical spirit is the key point in the development of ancient Chinese ideology history, thus having led to the shift from ＂Tao＂ to ＂truth＂ as to issues concerning ancient Chinese ideology. In this paper, an analysis is made of the formation of the artistic state of Zen within such a framework. Moreover, as is opined in the paper, the metaphysi- cal spirit of Buddhism has provided the theoretical basis for the maturity of the artistic appeal theory.

关 键 词：佛学 形上精神 禅趣 意境 

分 类 号：B835[哲学宗教—美学]