吴炫“否定主义文艺学”的形成与发展  

The Formation and Development of Wu Xuan's Negative Doctrine Literature Theory

作　　者：吴海顺 

机构地区：[1]沈阳师范大学文学院,沈阳110034

出　　处：《柳州职业技术学院学报》2016年第2期95-100,共6页Journal of Liuzhou Vocational & Technical College

摘　　要：吴炫的批评之路具有系统性,因为他一直试图建立一种中国式的文艺理论,他这种尝试注定会遇到最大的困难,但是他从文艺学的视野跳了出来,直接跳向了"哲学"、"美学",建立了否定主义哲学、美学、文艺学三维一体的理论体系。文章主要探讨了吴炫的文学批评的价值取向,并且从文艺学的范围来探讨"本体性否定"价值观的形成与发展。Wu Xuan＇s criticism has a system, because he has been trying to establish a kind of Chinese literary theory which he is destined to encounter the most difficult. But he jumped directly from the view of the literary and art to the philosophy, aesthetics, in order to establish a theoretical system which consists of three-dimensional integration such as negative philosophy, aesthetics, and literature theory. I will mainly discuss the value orientation of Wu Xuan＇s literary criticism, and explore the formation and development of the value concept of ontological negation from the perspective of literature theory. First of all, We would have a knowledge of the way Wu Xuan meet with negative from the initial stage of the criticism of Wu; secondly, there are many possibilities for ＂negative＂, why Wu Xuan transform the critical theory from the point of ontological; finally, the ＂ontological negation＂ is a connotation where theoretical guidance ran from the macro aspect, but how would it of develop the specific aspects in the practice of literary criticism？

关 键 词：吴炫 本体性否定 文学经典 穿越现实 

分 类 号：I01[文学—文学理论]