西方现代美学情感的民族化历程  

Nationalization of Modern Western Aesthetics

作　　者：彭一邶[1] 苏美华[1] 

机构地区：[1]湖南第一师范学院美术与设计学院,湖南长沙410205

出　　处：《南通大学学报（社会科学版）》2016年第3期83-87,共5页Journal of Nantong University:Social Sciences Edition

摘　　要：西方现代美学的发展伴随着近代西方科技文明兴起,经历了艺术情感的民族化历程。美学的情感研究是对艺术审美嬗变的一次审视。美学情感的民族化形态特征主要表现在意向经营、语言表达、气韵涵蕴等方面。从社会历史发展的高度来看,美学民族化是一个总的发展趋势。从形式主义的表象来看,现代美学民族化的研究必须长期得到坚持。从本体论角度来看,民族化与现代化是并存的。Along with the prosperity of science and technology in the West, modern western aesthetics has undergone the process of nationalization as well. The emotional study of aesthetics is a probation into the aesthetic change of arts.The nationalized features of aesthetic emotion are represented in terms of intentional management, verbal expression and artistic connotation. From the perspective of social and historical development, the nationalization of aesthetics is a tendency. Seen from the facial expressions of formalism, the study of the nationalization of modern aesthetics should be insisted on. Nationalization and modernization are co-existing if we look at them from the perspective of ontology.

关 键 词：西方现代美学 情感 民族化 

分 类 号：B83-0[哲学宗教—美学]