从前八十回人物的悲剧性结局探讨《红楼梦》的悲剧内涵  

Discussion on the Connotation of Tragedy in The Dream of Red Mansion Based on the Tragic Ending of the Characters in the Former Eighty Chapters

作　　者：方莉玫[1] 

机构地区：[1]广东农工商职业技术学院,广东广州510507

出　　处：《安康学院学报》2016年第3期57-62,共6页Journal of Ankang University

摘　　要：《红楼梦》前八十回或死或出家的人物可以分为三类。第一类人物的悲剧命运反映了"因空见色,由色生情,传情入色,自色悟空"这种男女之间色欲情爱的发展规律,表现了"温柔乡"的幻灭;第二类人物的悲剧命运反映了"富贵场"的迷人、险恶以及最终的幻灭;第三类人物的悲剧命运反映了佛教道教既是抚慰众生精神的良药又是和尚道士牟利甚至致人死亡的手段,表现了"神仙界"的幻灭。"温柔乡""富贵场""神仙界"等人世理想的毁灭,导致人必然毁灭。《红楼梦》的悲剧内涵体现在两方面:一是人们在红尘中的挣扎与毁灭;二是悲剧命运的无可逃脱。The characters of death or becoming eminent monk in the former eighty chapters in The Dream of Red Mansion fall into three types. The connotation of tragedy in The Dream of Red Mansion is reflected in two aspects： one is the struggle and destruction of the people in the novel and the other is the predestined tragic fate of the people in the novel.

关 键 词：《红楼梦》 悲剧内涵 温柔乡 富贵场 神仙界 

分 类 号：I207.411[文学—中国文学]